Kain is an animation director based in London with her own studio. She focuses on creating animations with puppetry performance. Here’s what she shared during our chat:
1.What’s your role in animation, and what do you do?
I’m an animation director. Usually, it starts with pitching to get a project. Once we get it, I build a team, plan the production with storyboards, set up the pipeline, and then start making the animation.
2.Why did you choose animation as your career?
I studied media design in China for my bachelor’s, and then interactive arts in the UK for my master’s. I got into puppetry and started making puppet-based animations. In 2022, I signed with Passion Pictures and began working on theater puppet projects.
3.What’s the animation industry like now? Has AI impacted your work?
The industry is growing. My clients are mostly from the US, which is a great market for animation. If you’re into 3D, looking at the US market might be worth it.
AI has made my work faster and easier. Tools like Adobe with AI features help me with scripts, materials, and even brainstorming ideas. For short commercial projects, AI really helps me maintain quality in tight deadlines.
4.What’s different about animation in London versus other places?
In the UK, traditional techniques like stop-motion are more popular because they have a unique tactile feel. Internationally, especially in the US, 3D animation is huge. I’m experimenting with combining CGI and puppetry.
5.How can internships help break into animation?
Email studios, send your portfolio and CV, and tell them what you want to do. Work on different commercial projects to learn how things work.
6.What should I focus on when making my portfolio?
Keep it clear and simple. Put your best project first. Show two pages per project—one with a finished screenshot and animation link, and another showing how you made it. Don’t forget to include your CV and a few extra skills.
7.Any advice for someone about to graduate?
Try different things! If you’re into 3D, apply to tech companies like VR/AR. Go to festivals and reach out to 3D artists you admire.
Reflection and Summary
Talking to Kain gave me so much clarity about my future in animation. She encouraged me to explore various techniques and learn about the international market.
She also recommended Pictoplasma, a festival in Germany focusing on character design. I’m excited to explore opportunities like this to connect with professionals and learn more about the industry. Moving forward, I’ll focus on improving my portfolio, trying internships, and looking for ways to combine creativity with new technology. Kain’s journey reminded me to stay curious and flexible which will keep in